Son Suk-ku Face Reading: Low-Set Eyes and an Angular Jawline

The central theme of this profile of Son Suk-ku is low-set eyes and an angular jawline. We examine the visible contours and placement of the features in seven steps, starting with the overall face shape and ending with how its lines and surfaces fit together.

Step 1: Face Shape — The Outline of the Cheeks and Jaw

It is a long outline that runs relatively straight from the cheekbones to the lower jaw. The angles of the lower part of the face are visible from the front.

The angled part does not mean that the entire face is square, but it means that the section where the direction of the curve changes is visible. If you follow the line that goes down from the side of the cheekbones to the lower jaw, the difference between the straight section and the round section is revealed.

Step 2: Forehead — Between the Hairline and Brows

Raise your head to reveal a wide forehead. The hairline rising from both sides and the central plane are clear.

You should look at the shape of the exposed part of the forehead and the hair on both sides. Since the parting and bangs are the lines that divide the upper margin, there is no need to immediately interpret the asymmetry seen in the photo as asymmetry of the forehead itself.

Step 3: Eyes — Eyelid Curves and Horizontal Length

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Photo: Son Sukku at the Bedford Park Premier at Sundance Film Festival (cropped) · TheGhostOfKyoto · CC BY 4.0 · Resizing/Converting to WebP, adding margins to covers and thumbnails

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The eyes are low vertically and long horizontally. The line of the upper eyelid lies close to the pupil.

The shape of the eye can be better revealed by dividing it into the horizontal length and vertical opening. The curve of the upper eyelid, the lower border, and the area that tapers to the corner of the eye combine to form a single outline.

Step 4: Eyebrows — The Lines Above the Eyes

The eyebrows are relatively light and set low. Above the eyes, a line closer to horizontal is visible rather than a sharp arch.

The low eyebrows can be compared side by side with the horizontal line of the eyes. Looking at where the eyebrows start and end and how thin they become at the ends reveals the relationship between the two overlapping lines at the top.

Step 5: Nose — The Central Line and Depth

The bridge of the nose falls straight and the tip of the nose is round. The border of the nasal bridge is revealed below the center.

The tip of the nose and both nostrils are areas where small curved surfaces are gathered. If you look at the widening border on both sides instead of just looking at the bright side in the center, you can see the width that changes from the bridge of the nose to the bottom of the nose.

Step 6: Mouth and Chin — Expression and the Lower Face

Lips and Mouth Corners

The closed mouth is horizontal and the center of the lower lip is prominent. The corners of the mouth rise slightly.

Jawline and Chin

An angle remains on both sides of the lower jaw, and the tip of the chin also maintains its width. The boundary between the neck and chin is clear.

In a closed mouth, the curve in the center of the upper lip and the curved surface of the lower lip can be examined separately. Comparing the horizontal width of the lips to the width of the tip of the chin reveals how small lines and large outlines are placed within the lower face.

Step 7: Overall Balance — Low-Set Eyes and an Angular Jawline

Son Suk-ku's low eyebrows and long eyes create tight horizontal lines across the upper face. If you look at the width of the lower jaw and the line of the mouth together, the proportion of the lower part of the face in the overall outline is clearly revealed than when only the eyes are emphasized.

Son Suk-ku's Facial Features at a Glance

• Face shape: A long outline that runs relatively straight from the cheekbones to the lower jaw.
• Eyes: The eyes are low vertically and long horizontally.
• Chin: Angles remain on both sides of the lower jaw, and the tip of the chin also maintains width.

Together, these features show how the face's outer contour relates to the eyes and lower face. Looking at the connections between lines and surfaces helps explain the overall balance visible in this photograph.

Source for the introduction · Checked 2026-10-05