Na Hoon-a Face Reading: An Open Forehead and a Broad Chin on Stage

The central theme of this profile of Na Hoon-a is an open forehead and a broad chin on stage. We examine the visible contours and placement of the features in seven steps, starting with the overall face shape and ending with how its lines and surfaces fit together.

Step 1: Face Shape — The Outline of the Cheeks and Jaw

In staged photos, the cheekbones and width of the cheeks are visible first. A wide chin extends below the slanted face.

When looking at horizontal width, you can divide it into the width of the cheekbone height and the width of the lower jaw height. Whether the wide side of the cheek extends to the lower face or suddenly decreases at the chin is a criterion for distinguishing the shape of the outline.

Step 2: Forehead — Between the Hairline and Brows

The forehead is exposed thanks to the short hair. The horizontal width of the forehead and the area above the eyebrows are revealed.

In compositions where the forehead is exposed, you can see a wide area extending from the hairline to the eyebrows. Comparing the direction of the upper curve and the lower eyebrows makes it clear what lines surround the upper part of the face.

Step 3: Eyes — Eyelid Curves and Horizontal Length

[2]

Photo: 나훈아 콘서트 후기 · 취미 게임 notre1 · CC BY 4.0 · Resizing/Converting to WebP, adding margins to covers and thumbnails

If you believe an image published on FaceReadingPro infringes your rights, please contact [email protected].

Since the photo was taken from a distance, the detailed lines of the eyelids are not clear. The eyes appear to be thin and horizontal.

What can be seen in this photo is the large direction and arrangement around the eyes. Rather than zooming in to determine the small double eyelid line or the exact angle of the corner of the eye, it is better to look at the horizontal area that the eyes occupy within the face.

Step 4: Eyebrows — The Lines Above the Eyes

Dark eyebrows create a clear border above the eyes. With the resolution of the photo, it is difficult to tell even the direction of the eyebrow hairs.

The visible eyebrow pieces were not drawn to form the full eyebrow shape. If you look at the direction of the confirmed line and the gap between the eyes, you can distinguish between the border of hair or props and the actual eyebrows.

Step 5: Nose — The Central Line and Depth

When the face is turned to the side, the protrusion of the bridge of the nose is revealed. The tip of the nose is round and extends downward.

From this angle, both the length of the bridge of the nose and the degree to which the tip of the nose is brought forward are visible. The line where the bright side meets the shadow is also affected by lighting, so you can see the boundary between light and dark and the actual outer outline.

Step 6: Mouth and Chin — Expression and the Lower Face

Lips and Mouth Corners

Since this is the moment when he holds the microphone and opens his mouth, the still form of his lips is obscured. Whiskers around the mouth also affect vigilance.

Jawline and Chin

The tip of the chin remains wide and the line of the lower jaw is clear. The border leading to the neck is differentiated according to lighting.

The mouth in this scene is influenced by both vocalization and props. Only by examining the visible line of the lips and the outline of the chin can you distinguish the shape at the moment of mouth movement from the usual stationary shape.

Step 7: Overall Balance — An Open Forehead and a Broad Chin on Stage

What is evident in Na Hoon-a's stage photos is the exposed forehead and wide lower jaw. In between, the dark eyebrows and the protruding side of the nose are placed, and the large face and outline of the face are more clearly revealed than the small eyelid lines.

Na Hoon-a's Facial Features at a Glance

• Face shape: In staged photos, the cheekbones and width of the cheeks are visible first.
• Eyes: The picture was taken from a distance, so the details of the eyelids are not clear.
• Chin: The tip of the chin remains wide and the line of the lower jaw is clear.

Together, these features show how the face's outer contour relates to the eyes and lower face. Looking at the connections between lines and surfaces helps explain the overall balance visible in this photograph.

Source for the introduction · Checked 2026-10-05