Lee Joon-gi Face Reading: Long Eyes and a Tapered Jawline

The central theme of this profile of Lee Joon-gi is long eyes and a tapered jawline. We examine the visible contours and placement of the features in seven steps, starting with the overall face shape and ending with how its lines and surfaces fit together.

Step 1: Face Shape — The Outline of the Cheeks and Jaw

The width decreases noticeably from the cheekbones to the lower jaw. The tip of the chin is small, creating a contrast between the width of the top and bottom.

Even within the large oval frame, the width of the cheekbones and chin are not the same. If you follow the speed from the widest part of the face down to the tip of the chin, you can see changes in the outline that are not revealed by length alone.

Step 2: Forehead — Between the Hairline and Brows

The bangs are down and cover most of the forehead. In this photo, a smaller space around the eyebrows is visible than the hairline.

The end line of the bangs creates a new border on the upper part of the face. By distinguishing between the exposed space above the eyebrows and the space covered by the hair, you can avoid confusing the size of the forehead itself with the blank space created by the hairstyle.

Step 3: Eyes — Eyelid Curves and Horizontal Length

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Photo: 2022 Again My Life Lee Joon-gi 이준기 (1) · Viu Indonesia · CC BY 3.0 · Resizing/Converting to WebP, adding margins to covers and thumbnails

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The eyes are horizontally long and narrow on the outside. The curves under the eyes stand out when smiling.

In photos with facial expressions, the vertical width of the eyes and the height of the cheeks below the eyes change. If you look at the curve of the lower eyelid rather than just looking at one point at the corner of the eye, you can read the movement of the center of the face more specifically.

Step 4: Eyebrows — The Lines Above the Eyes

The eyebrows below the bangs are dark and long. The lines that taper outward run parallel to the eyes.

The low eyebrows can be compared side by side with the horizontal line of the eyes. Looking at where the eyebrows start and end and how thin they become at the ends reveals the relationship between the two overlapping lines at the top.

Step 5: Nose — The Central Line and Depth

The bridge of the nose is thin and the tip of the nose is trimmed small. The height of the bridge of the nose is revealed at an oblique angle.

From this angle, both the length of the bridge of the nose and the degree to which the tip of the nose is brought forward are visible. The line where the bright side meets the shadow is also affected by lighting, so you can see the boundary between light and dark and the actual outer outline.

Step 6: Mouth and Chin — Expression and the Lower Face

Lips and Mouth Corners

When you smile, your mouth opens and your upper teeth are visible. As the corners of the mouth rise, the horizontally long shape of the mouth is emphasized.

Jawline and Chin

The narrow chin and diagonal jawline are distinct. The direction of the outline changes rapidly under the cheek.

When the mouth opens or the corners of the mouth rise, the width of the mouth and the space left up to the chin also change. If you look at the raised position of the cheeks and the tip of the chin together rather than just the lips, you can see the process by which a smile changes the ratio of the lower jaw.

Step 7: Overall Balance — Long Eyes and a Tapered Jawline

Lee Joon-gi's face has a noticeable difference in width between his long eyes and the small tip of his chin. When smiling, the mouth widens horizontally, but the outline of the chin remains narrow, creating a contrast between the horizontal lines of the eyes and mouth and the diagonal line of the chin.

Lee Joon-gi's Facial Features at a Glance

• Face shape: The width decreases noticeably from the cheekbones to the lower jaw.
• Eyes: The eyes are horizontally long and narrow on the outside.
• Chin: The narrow chin tip and diagonal jaw line are distinct.

Together, these features show how the face's outer contour relates to the eyes and lower face. Looking at the connections between lines and surfaces helps explain the overall balance visible in this photograph.

Source for the introduction · Checked 2026-10-05