Kim Soo-mi Face Reading: Rounded Cheeks and Expressive Eyes and Mouth

The central theme of this profile of Kim Soo-mi is rounded cheeks and expressive eyes and mouth. We examine the visible contours and placement of the features in seven steps, starting with the overall face shape and ending with how its lines and surfaces fit together.

Step 1: Face Shape — The Outline of the Cheeks and Jaw

There is a round volume in the cheeks and lower jaw, and the horizontal width of the face is revealed. A gentle curve continues all the way to the tip of the chin.

When looking at horizontal width, you can divide it into the width of the cheekbone height and the width of the lower jaw height. Whether the wide side of the cheek extends to the lower face or suddenly decreases at the chin is a criterion for distinguishing the shape of the outline.

Step 2: Forehead — Between the Hairline and Brows

Part of the forehead is revealed between the short bangs. The area above the eyebrows is more visible than the entire forehead.

You should look at the shape of the exposed part of the forehead and the hair on both sides. Since the parting and bangs are the lines that divide the upper margin, there is no need to immediately interpret the asymmetry seen in the photo as asymmetry of the forehead itself.

Step 3: Eyes — Eyelid Curves and Horizontal Length

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Photo: Kim Soo-mi at SBS Radio - 230506 · Seoul Broadcasting System · CC BY 3.0 · Resizing/Converting to WebP, adding margins to covers and thumbnails

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The moment she speaks, her eyes narrow and her upper eyelid droops. The lines at the corners of the eyes and wrinkles caused by facial expressions are revealed.

In photos with facial expressions, the vertical width of the eyes and the height of the cheeks below the eyes change. If you look at the curve of the lower eyelid rather than just looking at one point at the corner of the eye, you can read the movement of the center of the face more specifically.

Step 4: Eyebrows — The Lines Above the Eyes

The eyebrows are thin and have relatively clear arches. The lines become narrower as you go outward.

Eyebrows can be examined by distinguishing between the density of color and the curve of the line. By comparing the inner thickness and the direction of the outer edge with the eyelid line, you can see how the outline surrounding the eye is formed.

Step 5: Nose — The Central Line and Depth

The tip of the nose is round and the width of the nostrils is visible. The bright side of the center of the nose contrasts with the shadows on the sides.

The tip of the nose and both nostrils are areas where small curved surfaces are gathered. If you look at the widening border on both sides instead of just looking at the bright side in the center, you can see the width that changes from the bridge of the nose to the bottom of the nose.

Step 6: Mouth and Chin — Expression and the Lower Face

Lips and Mouth Corners

The mouth is open with a speaking expression. The direction in which the mouth and cheeks move is revealed rather than the still shape of the lips.

Jawline and Chin

The tip of the chin and lower jaw are round and wide. The curve of the cheek connects to the lower face.

The mouth in this scene is influenced by both vocalization and props. Only by examining the visible line of the lips and the outline of the chin can you distinguish the shape at the moment of mouth movement from the usual stationary shape.

Step 7: Overall Balance — Rounded Cheeks and Expressive Eyes and Mouth

Kim Soo-mi's photo shows the eyes and mouth together at the moment of speaking. Because the eyelids and corners of the mouth move within the large frame of the round cheeks and lower face, the direction of the facial expression lines is revealed better than the shape of the still part.

Kim Soo-mi's Facial Features at a Glance

• Face shape: The cheeks and lower jaw have round volume and the horizontal width of the face is revealed.
• Eyes: The moment she speaks, her eyes narrow and her upper eyelid droops.
• Chin: The tip of the chin and the lower jaw are round and wide.

Together, these features show how the face's outer contour relates to the eyes and lower face. Looking at the connections between lines and surfaces helps explain the overall balance visible in this photograph.

Source for the introduction · Checked 2026-10-05