Gong Hyo-jin Face Reading: Low Brows and Full Lips

The central theme of this profile of Gong Hyo-jin is low brows and full lips. We examine the visible contours and placement of the features in seven steps, starting with the overall face shape and ending with how its lines and surfaces fit together.

Step 1: Face Shape — The Outline of the Cheeks and Jaw

The width around the cheekbones and the short tip of the chin are visible. At an angle close to the side, one cheek appears larger.

In this composition, the border from one cheek to the chin is clearly revealed rather than the width of both sides of the face. By connecting the outer line of the cheekbones and the bending point of the chin, you can distinguish between the width of the face and the depth of the sides.

Step 2: Forehead — Between the Hairline and Brows

The forehead is visible through the thin bangs. Hair covers both sides, making the entire hairline invisible.

The end line of the bangs creates a new border on the upper part of the face. By distinguishing between the exposed space above the eyebrows and the space covered by the hair, you can avoid confusing the size of the forehead itself with the blank space created by the hairstyle.

Step 3: Eyes — Eyelid Curves and Horizontal Length

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Photo: Gong Hyo-jin in October 2024 for MCK · Marie Claire Korea · CC BY 3.0 · Resizing/Converting to WebP, adding margins to covers and thumbnails

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The eyes are long horizontally and have gentle upper and lower lines. The size of both eyes appears different due to the direction in which the head is turned.

The shape of the eye can be better revealed by dividing it into the horizontal length and vertical opening. The curve of the upper eyelid, the lower border, and the area that tapers to the corner of the eye combine to form a single outline.

Step 4: Eyebrows — The Lines Above the Eyes

The eyebrows are low and relatively straight. It runs across the upper part along with the transverse direction of the eye.

The low eyebrows can be compared side by side with the horizontal line of the eyes. Looking at where the eyebrows start and end and how thin they become at the ends reveals the relationship between the two overlapping lines at the top.

Step 5: Nose — The Central Line and Depth

The bridge of the nose is thin in the center, and the tip of the nose is round. The tip of the nose is distinguished by a small shadow on the side.

From this angle, both the length of the bridge of the nose and the degree to which the tip of the nose is brought forward are visible. The line where the bright side meets the shadow is also affected by lighting, so you can see the boundary between light and dark and the actual outer outline.

Step 6: Mouth and Chin — Expression and the Lower Face

Lips and Mouth Corners

The center of the closed lips is thick. The curve of the lower lip and the curve of the upper lip are revealed together.

Jawline and Chin

The tip of the chin is small and the line under the cheek is gentle. The collar partially covers the bottom, making the overall width of the chin less visible.

In a closed mouth, the curve in the center of the upper lip and the curved surface of the lower lip can be examined separately. Comparing the horizontal width of the lips to the width of the tip of the chin reveals how small lines and large outlines are placed within the lower face.

Step 7: Overall Balance — Low Brows and Full Lips

Gong Hyo-jin's low eyebrows and long eyes create a horizontal orientation in the upper face. The lips that are thick in the center and the tip of the small chin are placed at the bottom, and the angle at which the head is turned makes the width of these two areas appear different.

Gong Hyo-jin's Facial Features at a Glance

• Face shape: The width around the cheekbones and the tip of the chin are short and gathered together.
• Eyes: The eyes are long horizontally and have gentle upper and lower lines.
• Chin: The tip of the chin is small and the line under the cheeks is gentle.

Together, these features show how the face's outer contour relates to the eyes and lower face. Looking at the connections between lines and surfaces helps explain the overall balance visible in this photograph.

Source for the introduction · Checked 2026-10-05