Choi Min-sik Face Reading: A Wide Nose Tip and Facial Hair

The central theme of this profile of Choi Min-sik is a wide nose tip and facial hair. We examine the visible contours and placement of the features in seven steps, starting with the overall face shape and ending with how its lines and surfaces fit together.

Step 1: Face Shape — The Outline of the Cheeks and Jaw

Width remains in the cheekbones and cheeks, and a deep curve extends to the lower jaw. The tip of the chin does not become too narrow.

When looking at horizontal width, you can divide it into the width of the cheekbone height and the width of the lower jaw height. Whether the wide side of the cheek extends to the lower face or suddenly decreases at the chin is a criterion for distinguishing the shape of the outline.

Step 2: Forehead — Between the Hairline and Brows

The center of the forehead is exposed through the parting, and long bangs fall on both sides.

You should look at the shape of the exposed part of the forehead and the hair on both sides. Since the parting and bangs are the lines that divide the upper margin, there is no need to immediately interpret the asymmetry seen in the photo as asymmetry of the forehead itself.

Step 3: Eyes — Eyelid Curves and Horizontal Length

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Photo: Choi Min-sik · Petr Novák, Wikipedia · CC BY-SA 3.0 · Resizing/Converting to WebP, adding margins to covers and thumbnails · CC BY-SA 3.0 also applies to the converted version of this photo.

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The curve of the upper eyelid and the line under the eye are visible together. The horizontal length of the eyes is revealed in the frontal gaze.

The shape of the eye can be better revealed by dividing it into the horizontal length and vertical opening. The curve of the upper eyelid, the lower border, and the area that tapers to the corner of the eye combine to form a single outline.

Step 4: Eyebrows — The Lines Above the Eyes

The eyebrows are thick and have a gentle arch. The bangs partially cover one side.

The visible eyebrow pieces were not drawn to form the full eyebrow shape. If you look at the direction of the confirmed line and the gap between the eyes, you can distinguish between the border of hair or props and the actual eyebrows.

Step 5: Nose — The Central Line and Depth

The bridge of the nose is long and the rounded width of the tip and nostrils are clear.

The long bridge of the nose creates a central line that extends from between the eyes to above the lips. Comparing the narrow width of the bridge of the nose and the rounded surface of the tip, the parts that appear as lines and the parts that appear as surfaces can be distinguished within the same nose.

Step 6: Mouth and Chin — Expression and the Lower Face

Lips and Mouth Corners

The mustache above the closed mouth emphasizes the border of the upper lip. A round surface remains in the center of the lower lip.

Jawline and Chin

The wide chin tip and jaw lines on both sides support the curved surface of the cheeks. The beard adds contrast to the bottom.

In a closed mouth, the curve in the center of the upper lip and the curved surface of the lower lip can be examined separately. Comparing the horizontal width of the lips to the width of the tip of the chin reveals how small lines and large outlines are placed within the lower face.

Step 7: Overall Balance — A Wide Nose Tip and Facial Hair

Choi Min-sik's wide cheeks and lower face form the large frame of the face. If you look at the horizontal lines around the eyes and the corners of the mouth, the round surfaces on the outside and the small lines that fold depending on the facial expression appear in different sizes.

Choi Min-sik's Facial Features at a Glance

• Face shape: Width remains in the cheekbones and cheeks, with a deep curve extending to the lower jaw.
• Eyes: The curve of the upper eyelid and the line below the eye are visible together.
• Chin: The wide chin tip and jaw lines on both sides support the curved surfaces of the cheeks.

Together, these features show how the face's outer contour relates to the eyes and lower face. Looking at the connections between lines and surfaces helps explain the overall balance visible in this photograph.

Source for the introduction · Checked 2026-10-05