Cha In-pyo Face Reading: Straight Cheek Contours and a Broad Chin

The central theme of this profile of Cha In-pyo is straight cheek contours and a broad chin. We examine the visible contours and placement of the features in seven steps, starting with the overall face shape and ending with how its lines and surfaces fit together.

Step 1: Face Shape — The Outline of the Cheeks and Jaw

The width of the cheekbones and lower jaw are revealed within the slightly longer vertical outline. The line from the cheek to the chin is relatively straight.

The angled part does not mean that the entire face is square, but it means that the section where the direction of the curve changes is visible. If you follow the line that goes down from the side of the cheekbones to the lower jaw, the difference between the straight section and the round section is revealed.

Step 2: Forehead — Between the Hairline and Brows

The center of the forehead is exposed between the bangs, and the sides are covered by hair. The upper line of the exposed forehead is gentle.

You should look at the shape of the exposed part of the forehead and the hair on both sides. Since the parting and bangs are the lines that divide the upper margin, there is no need to immediately interpret the asymmetry seen in the photo as asymmetry of the forehead itself.

Step 3: Eyes — Eyelid Curves and Horizontal Length

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Photo: Cha In-pyo in May 2026 · SBS Radio · CC BY 4.0 · Resizing/Converting to WebP, adding margins to covers and thumbnails

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The eyes are horizontal rather than wide open vertically. The line of the upper eyelid lies low above the pupil.

The shape of the eye can be better revealed by dividing it into the horizontal length and vertical opening. The curve of the upper eyelid, the lower border, and the area that tapers to the corner of the eye combine to form a single outline.

Step 4: Eyebrows — The Lines Above the Eyes

The eyebrows are relatively dark on the inside and thin outward. Draw a low curve rather than a sharp bend.

The low eyebrows can be compared side by side with the horizontal line of the eyes. Looking at where the eyebrows start and end and how thin they become at the ends reveals the relationship between the two overlapping lines at the top.

Step 5: Nose — The Central Line and Depth

The bridge of the nose extends straight to the center of the face, and the tip of the nose is rounded. The width of the nostril can also be seen from the front.

The tip of the nose and both nostrils are areas where small curved surfaces are gathered. If you look at the widening border on both sides instead of just looking at the bright side in the center, you can see the width that changes from the bridge of the nose to the bottom of the nose.

Step 6: Mouth and Chin — Expression and the Lower Face

Lips and Mouth Corners

The closed mouth has clear horizontal lines and the lower lip is slightly thicker. The movement of the corners of the mouth is not large.

Jawline and Chin

The tip of the chin is not narrow like a needle, but leaves some width. The angles on both sides of the lower jaw support the lower part of the face.

In a closed mouth, the curve in the center of the upper lip and the curved surface of the lower lip can be examined separately. Comparing the horizontal width of the lips to the width of the tip of the chin reveals how small lines and large outlines are placed within the lower face.

Step 7: Overall Balance — Straight Cheek Contours and a Broad Chin

In Cha In-pyo's face, the straight lines next to the cheeks and the horizontal width remaining at the tip of the chin create a single frame. Inside, horizontally long eyes and a closed mouth are placed, showing the contrast between horizontal and vertical lines in both the outer outline and inner features.

Cha In-pyo's Facial Features at a Glance

• Face shape: The width of the cheekbones and lower jaw are revealed within the slightly longer outline.
• Eyes: The eyes are horizontal rather than wide open vertically.
• Chin: The tip of the chin is not narrow like a needle, but leaves a width.

Together, these features show how the face's outer contour relates to the eyes and lower face. Looking at the connections between lines and surfaces helps explain the overall balance visible in this photograph.

Source for the introduction · Checked 2026-10-05